May 24 2014

Summer perspectives

Before the summer break I’d like to give you a little update on recent happenings as well as highlights of fall 2014.

The Contemporary Collective’s two showcase concerts this spring were very rewarding on various levels.
The quartet version of the band (Hille-Viinikainen-Nikula-Hohti playing mostly improvised music) played its debut performance in the wonderful Temppeliaukio Church. The concert was filmed and recorded.
With this material in hand I raised a lot of interest at the JazzAhead trade fair in Bremen: the quartet has such an original instrumentation, these brilliant musicians creating spontaneously such thrilling textures, and all this while being a compact band to travel with. (Listen to some material on our soundcloud.)

The septet version (which includes a string quartet) on the other hand, playing highly elaborate compositions, gave a smashing performance at the Koko Jazz Club,  challenging the borderline between contemporary music and jazz and proving my understanding that there is no such thing as a borderline: these fantastic musicians shifting effortlessly back and forth between two idioms of expression that seemed to be so incompatible.

Maybe having the same band name (Contemporary Collective) for these two different set-ups is confusing. On one hand I consider the two bands being two sides of the same coin, but maybe for the audience it would be necessary and easier to distinguish the two approaches. I’ll think about it over the summer. Feel free to give me some feedback on the matter. I’d very much appreciate your input! (info<at>

Actually, this is what I just did with the Sid Hille Brotherhood (formerly called Film Collective). It just got too confusing (even for myself) to advertise three different ‘collectives’.

So, the Brotherhood played a memorable show at Helsinki’s Juttutupa :::::::sigh::::::
I’m lacking words to describe this bunch of geniuses, each one of them having such a unique voice, being such unique artists in their own right, yet blending into our incredible chemistry, creating this (again:) unique music.
Well, I don’t want to sound like I’m bragging, but ask the people who were there…..

And so I’m looking forward to the adventures coming up this fall:
– first, there will be a re-union of Infinita, my dear Finnish-Italian quintet, at the Nuoro Jazz Festival in August
– then the first performance of my bandoneon concerto in September with the Lappeenranta sinfonietta (Sep 3rd-5th)
Three performances with soloist Kristina Kuusisto who commissioned the piece, conducted by Tibor Boganyi.
– and then THE TOUR! The Contemporary Collective on tour in Finland!
A lot of effort has gone into the organisation of this concert series, six concerts before Christmas and it will go on in January with dates to be published soon.

So, I’m not going to be bored  😉

In the composer’s shed I’ll complete two pieces for the Contemporary Collective, one to first be performed at the Kanneltalo in Helsinki on Oct 29th and another one to first be performed at Iiro Rantala’s prestigious Kansi Auki Festival on Nov 13th.

And not to forget my weekly piano improvisations at the Temppeliaukio Church. The fall schedule has just been confirmed. These concerts always make me happy!

Have a great summer, everybody!
Be happy, listen to music and join us somewhere in fall!

Apr 27 2014

Jazz Ahead 2014

I’ve just spent two days at Jazz Ahead which is a big trade fair in Bremen, Germany where basically everybody in the music business can meet anybody else in the music business: there are musicians, labels and record companies, agents and promoters, press people, radio stations, old friends and colleagues, some already well-known and some maybe not yet.

It was nice to talk to people from Advance Music, one of Europe’s best jazz publishing companies, about my orchestral work, meet an old friend Anne de Jong from Challenge Records in Holland, who had published my first two CD’s in the beginning 1990’s, get some sage advice from people like Ralph Gluch, Iiro Rantala’s agent from Switzerland, or Mathias Winkelmann from ENJA Records in Munich.

The music business is experiencing difficult times. The CD as a music medium seems to be coming to the end of its relatively short history, record shops are closing down, which means record companies don’t know where to sell their records anymore (outside of the net), and therefore the question arises: ‘Is it worthwhile making them anymore in the first place?’

On the other hand, how does the audience find new artists and how do the artists reach an audience that is yet unaware of them?
The promoters say: ‘You need a distribution first’.
The distributor says: ‘You need a strong label first’.
The label manager says: ‘Best to sell your CD’s at concerts. Organize a tour and sell the CD’s there’. For this you need an agent.
The agents say: ‘You need to build up a fan basis first, because the clubs can’t take the risk to feature unknown acts’.

Which brings you back to the audience which is yet unaware of you, the artist.

So, it’s up to you, dear friends and listeners who have found to this website in one or the other mysterious way: communicate your interests!
Tell the organizers of your favourite concert venue, which bands you would like to hear (maybe one of mine?), tell your friends what you’re listening to, invite them to check out or like facebook pages (SatnaMusic for example).
Believe it or not, but some agency people really said to me that 4000 likes on Facebook are a good start to do some promotional work.

It’s a slow process, but sooner or later good things happen.

Anyway, it was fun, if exhausting, to talk to all sorts of different people for two days, basically non-stop from 10am to 7pm and to listen to some of the showcase concerts.
I hope I’ll get to play there next year. I’ll certainly be aware of the deadline to apply for it, next time.

In the meantime there are some nice concerts coming up: my Contemporary Collective playing at the Koko Jazz Club in Helsinki on May 8th and the Sid Hille Brotherhood (previously Film Collective) on May 14th at the Juttutupa, Helsinki as well.

Apr 11 2014

Up in the clouds

I decided to finally give in and join the clouds.
The Soundcloud that is.
It still seems weird to me that so many people don’t like holding a nicely designed cover in their hands anymore while the record turns on the table, spending twenty minutes absorbing and being absorbed by interesting music.

But – so be it.

Here’s five minutes from a live concert of my Contemporary Collective.
Teemu Viinikainen on guitar, Heikki Nikula on bass clarinet, Markus Hohti on cello and myself on piano.

This is towards the end of an improvisation concert that lasted about an hour.
A kind of rocky groove with some weird harmonies.

I hope you enjoy!

Apr 3 2014

A Contemporary Clip

Here’s a little taste of what we played on March 22, 2014 in the Temppeliaukio Church.

Teemu Viinikainen – guitar & electronica
Sid Hille – piano & electronica
Heikki Nikula – bass clarinet
Markus Hohti – cello & electronica

The whole concert lasted an hour with the music going through eight stages.
This clip is from the very beginning of the concert.

The concert was filmed with six cameras. We will post some of it on YouTube when it’s ready.

Mar 17 2014

Shifting the focus

Live concerts! Playing! More!

Starting next Saturday, March 22nd, when my Contemporary Collective will be performing in Temppeliaukio Church, my focus of activity is shifting towards live concerts again.
The Contemporary Collective will henceforth appear in two versions: the sextet/septet that appeared on our recording ‘The Zen Connection‘, which is the version with the string quartet, and then the new compact quartet version that will play next Saturday:
Teemu Viinikainen – guitar, Sid Hille – piano, Heikki Nikula – bass clarinet and Markus Hohti – cello.

Both versions are based on the same intention – to create a bridge, a connection between jazz and contemporary classical music. The obvious difference being that for the string quartet version the music has to be constructed beforehand in order to make full use of the polyphonic possibilities.

Next Saturday we will be improvising to a very large extent. And what a thrill it is! Four such unique voices!
In a similar way that Beethoven described the string quartet as four cultivated people having a conversation, this will be a conversation of four experienced improvisers, four different instruments plus the use of electronics, two players coming from a jazz point of view and two from a contemporary classical one.

A conversation about eight topics.
I drew a kind of landscape map, a parameter chart, that serves as a point of departure, but the participants are free to digress, take liberties in execution or remain silent.
You have the right to remain silent. How important this is in music. The silences!
Listening, before responding.

The best thing about it is, that we have a common understanding of aesthetics: there will be wild, exciting bits as well as fragile, prayer-like sections. In the rehearsals we played some spontaneous counterpoint improvisations that could have been composed by Gesualdo, weird and chromatic, yet ecstatically beautiful.

So after three years of focussing on composing, after three solo concertos (trombone, piano and bandoneon), FEUER for orchestra and choir, two films, big band and chamber music – I am amazed myself at how much one gets done by just continuing to do – all thanks to the support of the Arts Council of Finland…..
After all this, I’ll be back on the road.

Well, actually I’ll probably be just as much in my office organizing the gigs.
And not to forget the Jazz Opera ‘Jonny swipes again’.
I won’t be able to refrain from the pen altogether.
‘Jonny’ is due in October 2015 at music theater Kapsäkki in Helsinki.

Keep an eye on the gig calendar!